Q & A With Blair Phillips Photography

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While growing up, there was no opportunity in Blair Phillips’ household for future advancement; no further education after high school, no parenting, and definitely no dreams of a flourishing career. Between multiple family households and parents, his childhood life was a constant roller-coaster. After living with his paternal grandparents for a significant time period, who both passed away when he was a junior in high school, Blair had to finish educating himself through high school. He worked 40 hours a week at a local grocery store while finishing his senior year in high school. Finances were so bad that even senior pictures were not an option and most of his time off was spent juggling work and school, having no social life as a normal teenager.

Reason for the short story above is to give you an idea of where the motivation and creativity comes from in Blair’s images. Blair’s business began 8 short years ago and since then, Blair Phillips Photography has become a household name that people in his community, and from several states away, have come to know and adore. Each year Blair has photograph between 40-60 weddings and 600+ studio sessions. In a small, economically deprives mill town of 3,100 and before the age of 30, accomplishment is an understatement!

Photographers are hungry for Blair’s creative eye behind the lens. Blair is known for his innovative lighting, posing, and flow of imagery, which has been a topic of conversation sparked between both novice and seasoned photographers. He has a passion to teach other photographers how to express themselves in ways not found in traditional training, which has been described as eclectic elegance. His style and positive energy is devoted to educate and inspire photographers to move towards a modern, fashionable approach, while keeping true to themselves.  Because of his sought-after content and unique teaching style, Blair has had the opportunity to educate photographers all over the United States including 4 consecutive years at WPPI, The WPPI Road Trip, WPPI U, SPA, SYNC Seniors, various state PPA affiliations and most recently, Imaging USA. Blair also hosts a quarterly workshop entitled “Break The Mold” at his Landis, NC studio which has become increasingly popular, selling out with every event.

Blair Phillips has so much to offer fellow photographers. Blair has a sincere desire to see other photographers inspired to grow in business as he has. Blair has a young team who strive towards fresh ideas, and those who hear them will be inspired to break out of their mold. Blair doesn’t want to teach people his way, but rather inspire everyone and have them discover what it means to break out of the mold to a more fashionable tomorrow.

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Blair and Suzanne Phillips

Tamrac: How did you get into photography?
Blair: Blind luck.  I have always been a very visual type individual, and it all began when I started carrying a point and shoot camera with me everywhere.  I would see neat and intriguing things that I felt were worthy of capture.  I began taking media cards to a local drug store lab for processing where a lab technician gave me encouragement to pursue photography as more than a mere hobby.  I took her advice and the rest was history.

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Tamrac: What is the one piece of camera equipment you always take with you?
Blair: A strobe light.  I have learned strobe lighting inside and out, and it allows me to manipulate any environment to fit my needs.

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Tamrac: You shoot seniors, families, newborns and weddings.  What do you like most about each one and do you have a favorite between them? Or is it too hard to choose?
Blair: I love creating genuine conversations and building relationships.  Seniors are one of the most enjoyable outlets for me due to the complete creative freedom you can have with them.  Newborns are also really high on my list.  I am very sensitive and compassionate, so working with the delicate nature of babies fits me very well.  Since the birth of my daughter, I have cut the weddings back to only 10 per year.  My family has to come first and foremost.

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Tamrac
: Things have come a long way since I was a senior in high school where we just got our yearbook photo taken.  Where do you come up with all the crazy, unusual settings for your senior shoots?  Do the seniors give you input for what they want or do you create the shoot on your own?  What do they then do with their images?
Blair: I use to travel to random locations for seniors.  The constant driving all over the place got really old, really quick.  I decided to build my very own senior oasis equipped with over 30 different sets that are always available.  This way I am in complete control and have enough to fit any style.  My seniors give me input on their outfit choices and that is pretty much it.  We have marketed and branded our studio in a way that client’s give us complete freedom to do whatever we see fit.  The majority of our senior clients still purchase wall portraits, an album, gift prints, and wallets.

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Blair’s “Senior Oasis”

Tamrac: You do a lot of workshops on a variety of different topics.  What is your favorite thing to teach that you think every starting photographer needs to learn?
Blair: Lighting, lighting, lighting.  Learning lighting gives you so much control of every press of your shutter.  Lighting is one of the concrete fundamentals that most photographers don’t tackle right away.  It can be intimidating, but I have a clever way of breaking it down so people will understand it in ten minutes.  Lighting is the root of all photographs.

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Tamrac: What was your favorite image you took in the last year?
Blair:  There has never been a tougher question for me.  I do well over 500 studio session, as well as a lot of volume photography.  It would literally be impossible for me to pick.

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Tamrac: What Tamrac gear do you use?
Blair: With all of my traveling, I would be lost without my Tamrac gear bags.  Some of my most important pieces are the Super Rolling Studio Bags (Model 662) and the Ultra Pro 13 (Model 5613).  For airplane travel I sometimes rely on the hefty Expedition 8x (Model 5588).  For weddings I love my Cyberpack Roller (Model 5267). With Tamrac, I feel certain that I will wear out long before any of my Tamrac bags.

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Blair’s Ultra Pro 13 with his gear

Tamrac: What do you love about your Tamrac bags?
Blair: The sheer quality and design.  Tamrac knows exactly what we need as a photographer and have a rock solid solution for all of my carry needs.

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Blair in his studio shooting a video on his Tamrac bags

Click here to see Blair’s video (from photo above) on his Tamrac Bags.

For more information on Blair and Suzanne and their work, please visit their links: Website: www.blairphillipsphotography.com
Facebook:
www.facebook.com/blairphillipsphotography
Facebook: www.facebook.com/blairphillipsworkshops
Instagram: @blair_phillips
Twitter: @bpphotography
Email: blair@blairphillipsphotography.com

 

 

 

 

Time Lapse Guru Tom Lowe Q&A

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The Astronomy Photographer of the Year award winning image which features features a 4,000 year old bristlecone pine tree against the Milky Way. This photo is actually a single frame of time laps footage featured in Tom’s film TimeScapes.

Recently we caught up with Tom Lowe, time lapse photography guru, to pick his brain about his technique, gear, and adventures! If you’re not familiar with Tom’s work, you should be! Tom and his production company Dreamcore were instrumental in the resurgence of time-lapse photography by pioneering new techniques and designing motorized time-lapse dollies and motion-control systems for capturing the mesmerizing visuals that define the genre. He is also working on bringing like-minded creatives together through his online community forum at TimeScapes.org.

Tamrac: You have done some impressive work with time lapse photography. What is it about time lapse photography that has drawn you to this
technique?

Tom: The main draw for me was the ability to film at night, capturing the stars and the moonlight.  You simply cannot do that with conventional movie cameras or techniques. Second, time lapse is a great way to get into film making, because the gear is relatively inexpensive. When I first started in late 2006, using a $600 Canon 350D Rebel,  I was able to shoot incredibly sharp 1080p+ video that totally blew away the images from Sony’s top-of-the-line, $200,000 F900 digital movie camera.

Director, Cinematographer, Editor, Producer, Tom Lowe

Director, Cinematographer, Editor, Producer, Tom Lowe

Tamrac: Your film TimeScapes [view the trailer at the end of this post] showcases your stunning time lapse photography work and is the first film to be released for purchase in 4K. Along with pushing the boundaries of distribution, what are some of the boundaries of the time lapse technique that the process of making this film gave you the opportunity to push?

Tom: Without question, no film has ever contained anywhere near the amount of dark-skies (Milky Way) astro-time-lapse that “TimeScapes” has.  Director Ron Fricke and  producer Mark Magidson’s 1992 film “Baraka” was and remains a huge inspiration to me, but they were limited in what they could shoot at night due to the low ISO/ASA rating of chemical 65mm film.  Basically, they could only shoot in moonlight, but they could not capture the Milky Way. The higher sensitivity of digital cameras, especially when coupled with modern cinema and stills lenses, also allowed me to really push the boundaries of how time lapse cameras can move.  Instead of just using dollies, sliders and jibs, I was shooting astro-timelapse from moving cars and boats.

Tom attaching his camera to the windshield of his truck.

Tom attaching his camera to the windshield of his truck.

Tamrac: TimeScapes took you 2 years to film during which you spent 250 nights sleeping outside under the stars as your cameras shot through till morning. Do you have any  funny/interesting stories you’d like to share that happened on your two year adventure?

Life of a time lapse shooter. Members of the Dreamcore team, Ben and Mike, camping out on an unfinished tower in Dubai

Life of a time lapse shooter. Members of the Dreamcore team, Ben and Mike, camping out on an unfinished tower in Dubai

Tom: Well, let’s put it this way.  Aside from gas and food, our largest line item production expense on “TimeScapes” was… beer!  At Dreamcore, our motto is “Film like Terrence Malick, Party like Led Zepplin.”  So we had hundreds of epic nights blasting dubstep at
all-night bonfire parties in some of the most spectacular landscapes on Earth.

Location scouting and camping under the stars in Yemen.

Location scouting and camping under the stars in Yemen.

Tamrac: What kind of cameras and lenses are you using to capture these images?

Tom: Our main camera on “TimeScapes” was a Canon 5D Mark 2, with a Canon 16-35mm lens.  That is a timelapse workhorse combination.  But we also used a special, modified Canon 1D4 camera with a PL mount, which allowed us to use the 1D4 with the super-fast 16mm f/1.2 Zeiss/Arri Master Prime 16mm lens.  Without the Master Prime, I simply would not have been able to successfully film the “astro boatlapse” sequence at Lake Powell, for example.

Getting ready to shoot with his Canon and Optimo combo in Dubai.

Getting ready to shoot with his Canon and Optimo combo in Dubai.

Tamrac: What kind of equipment are you using to get such fluid camera motion?

Tom: I used Kessler and camBLOCK motion-control gear on “TimeScapes.”  We actually invented some new rigs while shooting as well, like the Kessler “Timelapse Crane” setup. That piece of gear was spawned from an informal phone conversation I had one morning with Eric Kessler.

Sunset time lapse with the Kessler Crane CineDrive motion control system in Jordan.

Sunset time lapse with the Kessler Crane CineDrive motion control system in Jordan.

Tamrac: You sent us a really cool picture of a number of Expedition backpacks piled in the back of an SUV getting ready for a shoot. So how many Expeditions are you using for all your gear and what is it that you like about your Expedition backpacks?

Loaded up with Expedition 9x after Expedition 9x.

Loaded up with Expedition 9x after Expedition 9x.

Tom: Haha, we probably have 15 or 20 Tamrac Expedition 9x bags. The 9x is our main method for moving gear around, whether we are talking about motion-control kits, lighting, or cameras.  We actually keep our Red Epics totally built inside the 9x… that’s one of the main reasons I love it, because I hate disassembling cameras.

Packing up the Expedition 9x's for a shoot.

Packing up the Expedition 9x’s for a shoot.

Tamrac: What are some words of wisdom you might share for someone interested in   trying time lapse photography for the first time?

Tom: If you really want to become a great time lapse photographer, it’s not patience that you need, it’s dedication.  It’s easy to pass time while the camera clicks away, but it’s hard to get your ass up at 3am in the freezing cold and move a camera dolly up the side of a  mountain. Dedication is the key.

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Tamrac: How can people find out more about you and your work, and keep up with what you’re doing?

Tom: They can follow me at

http://www.facebook.com/tomlowefilmmaker
http://www.facebook.com/DreamcorePictures
http://twitter.com/DreamCorePics

View the TimeScapes trailer!

TimeScapes: Rapture 4K from Tom Lowe on Vimeo.

And they can purchase “TimeScapes” here:
http://timescapes.org/products/default.aspx

Thanks so much to Tom Lowe and his crew at Dreamcore for answering our questions! We’re excited to see what you guys will come out with next!

For more information on the Expedition 9x backpacks. Check them out here:
http://www.tamrac.com/frame_exp.htm

 

Photographer Spotlight – Q&A with Max Roper

We’re excited to to partner up with concert-photography maven, world traveler, and entrepreneur, Max Roper. We got to pick his brain about some of the visually striking images he’s captured and packaged it all up this this blog post for your enjoyment! So read on and enjoy!

Mute-Math – Drum Jump!

Tamrac:  Tell us about your first experience with photography and when you knew it was something you wanted to do.
Max:
  I am a fairly new photographer in general, I got my first DSLR back in 2009 and started just taking photos of anything I was doing. I travel a lot so I was very excited to start getting some good documentation of my travels. Music is a huge part of my life so I think once that was blended with photography, I was into it!

Black-Keys

Tamrac: How did you get started with concert photography? Did you know the bands or just show up with your camera in hand and start taking awesome photos?
Max:
I love and play music and was going to shows all the time and I thought that I would try and sneak my camera in to get some shots of this artist I was seeing at a smaller venue. I separated the camera up between a few of my friends and I got it in. After the show, I posted the photos on the artists facebook page and they loved them. It was really unexpected. I honestly really had no idea what I was doing, but they really liked my photos. That encouraged me to continue.

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Tamrac: What kind of camera gear do you usually take on your concert shoots? Do you ever use a flash as a fill or use only stage lighting?
Max: My first camera was the Nikon D80 and I loved it, so now I am a Nikon dude! I use the D700 now and pretty much just the 24-70 f/2.8 and the 70-200 f/2.8. Once in a while I will bring out my fisheye or the 50mm 1.4 if it will work for the shoot I am on. The 24-70 f/2.8 is pretty much my go-to lens. About 90% of my shots are with that lens.  I bought a flash a few years ago and the first time I tried to take it out it got dropped in a lake and that was that. I am a big proponent of using only stage lighting.

Jay-Z

Tamrac: You’ve managed to capture some epic moments in concerts (Mute Math drum jump). Are some of these simply being at the right place at the right time and do you also have an idea of how the show will go so you’re able to plan your shoot out?
Max: Thanks :). That Mute Math concert was actually the 4th concert I had taken photos at so I was still getting into the swing of how it all works. I had never seen them before. They were just unreal! Still to this day, they are one of the most amazing bands touring. That night may have had a bit of luck on it. I was also just so into their energy. I think it contributed to how good all of the shots came out. Since then I’ve been on a few tours with bands where I’m shooting their show every night which allowed me to really learn the pace of their sets. You can be very calculated in that type of situation.

Mumford-and-Sons

Tamrac: From all of the concert shoots you’ve been on I’m sure you’ve seen some pretty crazy stuff. Do you have any funny or crazy stories you can share?
Max: There is always something crazy happening at every concert. Haha. I was taking photos in New York once and it was a pretty insane show; mosh pits everywhere and crowd surfing galore. I was up front and taking photos and some dude from the crowd that was (obviously) pretty drunk decided that it was the best call to pour the remainder of his beer all over me and my camera. My camera was a bit sticky but it was all good. He ended up apologizing. It was pretty funny afterwards.

Tamrac: So what do you like to do when you’re not shooting Jay-Z or traveling around the world?
Max: I have a few things going on. I do tech stuff over at Red Bull and just finished up the Red Bull Stratos project where we had an athlete skydive from space. The project went very well and I am glad he is alive. I also have a tech startup called Appetize. It’s a mobile app that allows you to order food/drinks/merchandise at stadiums and get it delivered to your seat. It is going very well and we have some pretty awesome products that I am very happy about. I love the blues. When I am not working on my other projects, I am playing some blues guitar.

Gimmelwald

Tamrac: Are there any projects or opportunities on the horizon for you that you’d be able to share with us?
Max: I am a licensed skydiver and am trying to get as many jumps as possible to be able into get to base jumping. I am pretty excited about it and plan to start base jumping everywhere I travel to. Hopefully some of my photography can carry over into that space and I can starting getting some new and innovative shots.

Tamrac: Lastly, do you have any advice for other photographers that have been inspired by your work?
Max: Every photographer should strive to be as unique as possible. Just trying to copy someone else won’t get you very far and ultimately will just put you in the cloud of others. Strive to be as personally creative as possible!

To see and learn more about Max:
Website: www.maxroper.com
Instagram: @maxroper
Twitter: @maxroper

Tamrac Sponsored Photographer Kevin Kubota Q&A

Kevin KubotaAmerican Photo Magazine named Kevin Kubota one of the “Top 10 Wedding Photographers in the World”. His photos have been featured on the covers and within the pages of countless popular magazines and photography books. Kevin has been a featured presenter for Nikon and Adobe, and his work with the Nikon digital camera earned him a spot as a Nikon “Legend Behind the Lens”.

Kubota is an internationally recognized speaker, having presented for every major photographic convention in the USA. He created the popular “Digital Photography Bootcamp®” workshop which has been running successfully since 2002. He authored the book under the same name, now in it’s second edition, published by Amherst Media. Kevin shares over 2 decades of commercial and portrait lighting experience in his latest book, The Lighting Notebook, published by Wiley. The companion iApp, is available in the iTunes store.

Kubota Image Tools products have won multiple Hot One Awards as well as the Readers Choice Award. Kevin was personally awarded the 2009 Monte Zucker Memorial Humanitarian Award for social service through photography

Tamrac:
Wedding photography can be very challenging, but your images convey beauty, personality and spontaneity.  What inspires you to create such amazing photos?
Kevin:

Adrenaline!  But seriously, I do actually thrive on the pressure of photographing weddings. I think that certain people are able to use pressure and adrenaline to be creative and solution oriented, while others tend to freeze under it. Good wedding photographers find a way to use the pressure to fuel their creativity. The style of my imagery, I think, comes from my own romantic imagination and my ability to connect and put my clients at ease. I try not to use formulas to create an image, but instead I let my imagination run wild and try to put what’s in my head in to my client’s head – so they become part of the process. I’m also not afraid to ask my client to do anything that pops in to my head – within reason. If they say no, I move on, but I’m not afraid of hearing “no” because usually they say, “Sure!”.

Tamrac:
Have any funny moments happen to you during a shoot?
Kevin:

My wife, Clare, and I would often joke with wedding clients during the pre-wedding meeting about what, if any, unique events they had planned – so that we could be prepared to photograph them. We’d joking say, “Do you have anything special planned? Special guests giving speeches? Slideshows? Fire breathers?”. We’d get a giggle and make a note of anything to watch for.
After one wedding, we were packing up to head home as the wedding reception continued to rage on through the night. As we were walking out, I saw behind the reception tent a woman in a skimpy costume (which of course caught my eye :-) secretly pouring liquid from a can on some sort of baton, and in her mouth. I immediately thought it was some wacky belly-dancing pyro terrorist plot, but then soon put the pieces together…FIRE BREATHER!
I whipped open my (Tamrac) bag, grabbed my camera, and ran back in to the tent just in time to catch the surprise fire-breathing dance show that one of the guests had planned for the bride and groom! It was amazing and certainly something you don’t see at every wedding!
Clare and I laughed, we finally got our fire breather.

Kubota-Fire-Breather

Tamrac:
You recently traveled to Rwanda, can you tell us about your experience?
Kevin:

It was an emotional roller coaster! We went there with some of our staff and a few photographer friends to deliver some funds we’d saved to a woman who ran a large orphanage. I was initially introduced to her by my good friend, Benjamin Edwards. He inspired me – through his own documentary photos, to do something to help her and the orphans. She was Rwandan and didn’t speak English, but after we’d told her we had the gift to give her, she – via a quick cell phone video – managed to convey her sincere thanks, and encouraged me to come visit her in Rwanda. I was moved to tears and we were determined to make the trip happen.

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While we were there we visited with her, the children, the volunteer teachers at the makeshift school, and all the wonderful people who’s lives she touched. We documented the journey with photos and video and shared the experience when we returned. I’ve heard from many photographers since then who have seen my work and in turn been inspired to do something charitable like that themselves – just like I was inspired by Ben.
We often never know how our images will affect people and the world, so we have to just take them, share them, and know that the ripple effect has been put in motion.

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Tamrac:
What advice would you give to aspiring photographers?
Kevin:

Create personal projects. One of the hardest things for new AND seasoned pro photographers is to stay motivated and fresh. Whether you need to learn a new technique, perfect an existing one, or push yourself to create something completely new, projects are the way to go. You simply cannot wait for ideas and assignments to find you! You have to create time and commit to doing them until the day comes when client requests overwhelm you. At that point, it’s even harder to schedule time for personal projects, but they are just as important to keep doing. Put it on your calendar a time to do a personal project. Treat it like a real job and commit to it. You’ll grow in leaps and bounds!

Kubota Ninja

Tamrac:
Tell us one place that you have not been but would love to photograph and why?
Kevin:

I have not yet been to Atlantis. I love scuba diving and have started working on my underwater photography. It’s a lot harder than I thought! I think the under-sea world is absolutely fascinating and beautiful. It reminds me of being on another planet (not that I’ve actually been on another planet yet). I enjoy the challenges of learning something new and of photographing things we don’t see every day. When underwater, you generally have to get much closer to your subject to make it come out clear and colorful and this is particularly challenging when the currents are whisking you around or big sharp teeth are smiling at you.

Kubota Tuscany

Tamrac:
How has Social Media helped you as a photographer?
Kevin:

It’s given me another avenue to share my experiences and projects – which often leads to inquiries about new jobs and opportunities. In a way, it is also an incentive to get out and keep shooting or to be more committed to my personal project agendas. When the world is watching, you want to push yourself a little more – and that’s good for our own growth.

Kubota Italy

Tamrac:
What is your favorite movie?
Kevin:

Ooh, tough one. I loved Moulin Rouge for it’s silliness, romance, quirkiness, and dramatic sets. It is just so unusual and entertaining. I also loved Eternal Sunshine of the Spotless Mind for its unusual premise, characters, and romantic desperation. Then, of course, I love movies like Lord of the Rings and 300 for their visual amazingness and inspiration.

 Kubota Italy Rock Shore

Tamrac:
What do you love about your Tamrac bags?
Kevin:
I’ve been using Tamrac bags for about 20 years. My mentor when I started wedding photography had a Tamrac bag that he swore by, so of course I had to get one too. I’m kind of a gadget geek and pretty particular about ergonomics and details in the products I use. I’ve been known to buy several brands and types of similar products just to find the one that is “just right” and then give the others away. My Tamrac bags and products have always just fit my needs and held up extremely well. I’ve never had one break, rip, or wear out. The features are well thought out and satisfy my ergonomic pickiness.

Tamrac:
What Tamrac gear do you use?
Kevin:

My main bag has been the Super Pro 14. It is the perfect size for my primary photo gear and I particularly love the computer sleeve in the back of the bag. I use this for my computer, obviously, but it also perfectly fits my 42” pop-up reflector disc (when folded), which goes with me everywhere. I like that this slot is behind the main cover so my disc can stick out a little and I can still secure the front flap over the main compartment. I haven’t seen any other bag on the market that offers as much versatility for my needs.
I also have a Super Pro 13 that I use for my speedlights, wireless transceivers, and other smaller lighting gadgets.
I have a 324 tripod bag, and 3 of the 328 Location bags for my light stands and folding light panels.
I use Rolling Strong Box 692 and 694 for my studio strobes and larger light heads. I love that they protect my delicate gear, are relatively light to move, and have wheels for easy cruising.
When I’m traveling abroad and don’t want to carry a ton of gear I use my Adventure 9 backpack for my DSLR and misc. goodies and an Express 6 compact case for my point-n-shoot.
For my day-to-day work commuting with my laptop and gadgets I use the Superlights Computer Messenger 15. I also have the Superlights Computer Sleeve 15 for when I just need to transport my laptop and nothing else.
And of course, what accessory collection would be complete without a red flames camera strap!

 

For more on Kevin Kubota, you may visit his website at www.KevinKubota.com

Q&A with Matt Beard

Matt Beard in action

Matt Beard in action

We’re excited to announce our new partnership with Los Angeles based photographer extraordinaire, Matt Beard. Matt has spent the last 20 years capturing the visual essence of clients including Apple, Nike, Levis, Lucky Jeans, Sony, Maroon 5, and Cirque Du Soleil. To introduce you to Matt, here’s a little Q&A session with our new friend. Enjoy some of Matt’s tips, tricks and funny moments!

Matt Beard

photo of Matt Beard by: Corinne Saffell

Tamrac: How did you get into photography?
Matt: I’ve always loved photography, even as a young kid I was experimenting with my folks 126 and 110 film cameras.  In 9th grade, my parents lent me their 35mm canon A-1, and I started taking b&w photography classes at Venice High with Larry Shapiro…and the journey begins!

Tamrac: What is the one piece of camera equipment you always take with you?
Matt: My Canon 5D Mark2.

Maroon 5 Matt Beard

© Apple iTunes / by Matt Beard

Tamrac: What advice would you give to aspiring photographers?
Matt: If you always produce the best work you can, every job will lead to another…and so forth.

Maroon 5 Matt Beard

© Apple iTunes / by Matt Beard

Tamrac: What projects do you have coming up that you are excited about?
Matt: Can’t say, top secret.

Switchfoot Matt Beard

© Apple iTunes / by Matt Beard

Tamrac: Do you have any unique or funny moments while shooting on location?
Matt: There’s quite a few, especially from the assisting days.  Once I was told that we were doing a top-secret photo shoot, and it was very hush-hush.  NO cell phones allowed, and we couldn’t reveal our location to anyone.  I didn’t know where we were going, or who we were shooting until we were about a mile away from the location.  At first I thought we were photographing the president.  But, it turned out to be Kobe Bryant’s wedding.  So I got to shoot at Kobe’s wedding… pretty cool!

Carmen Electra Matt Beard

Carmen Electra Shoot

Tamrac: You get to meet and photograph a lot of really cool bands…what music do you enjoy listening too?
Matt: Oddly enough, I’ve always listened more to the news than to music.  However, I really like a lot of different genres of music.  I grew up with everything from Rock, Metal, Ska, Punk and Pop…to Hip Hop, House, Trance and Techno.  I also love classical music, Jazz, swing, big band, reggae and rockabilly.  I’m a fan of anything unique and creative, which has a feeling of the artist’s soul in it.

John Cryer Matt Beard

John Cryer Promo Shoot

Tamrac: What Tamrac gear do you use?
Matt: I use a Big Wheels SpeedRoller 2x, Rally 7 Messenger BagZuma Compact and a Tamrac Medium Tripod Bag.  I also have an older 692 Big Wheels Rolling StrongBox.  It is still in really great shape after all these years and still works great.  I also have a Tamrac Pro-9 Backpack that I’ve used for years, and love!

Tamrac: What do you love about your Tamrac bags?
Matt
: They are affordable, easy to use, and they last a really long time.  They are also fairly inconspicuous and can look more like regular luggage than a camera case…which helps with airline travel…and those run-and-gun guerrilla shoots.

For more information on Matt and to see more of his photography, go to his website: http://www.mattbeard.com/

All images are the property of Matt Beard Photography and cannot be used or reproduced without permission.